This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967'69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chels…
In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society…
In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society…
In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society…
This text presents an examination of the aesthetics of animation. It provides an overview of the relationship between animation studes and media studies, then focuses on issues concerning flat and dimensional, and limited and full animation. It then looks at specific topics such…
This text presents an examination of the aesthetics of animation. It provides an overview of the relationship between animation studies and media studies, then focuses on issues concerning flat and dimensional, and limited and full animation. It then looks at specific topics suc…
From the iconic Snow White and the Seven Dwarfs (1937) to Tangled, the 2010 retelling of Rapunzel, Handsome Heroes and Vile Villains looks at the portrayal of male characters in Disney films from the perspective of masculinity studies and feminist film theory. This companion vol…
From the iconic Snow White and the Seven Dwarfs (1937) to Tangled, the 2010 retelling of Rapunzel, Handsome Heroes and Vile Villains looks at the portrayal of male characters in Disney films from the perspective of masculinity studies and feminist film theory. This companion vol…
'Good Girls and Wicked Witches' examined the changing ways in which various representations femininity have been depicted in the Disney studio's films from 1937 to 2003. 'Handsome Heroes and Vile Villains' takes up this same theme, examining how masculinity is portrayed in human…
[This volume] examines how masculinity is portrayed in human male characters. This book, which encompasses 28 Disney films (beginning with Snow White and the Seven Dwarfs (1937), culminating with Wreck-It Ralph (2012)), looks at the men and boys in the Disney studio's animated f…
From the iconic Snow White and the Seven Dwarfs (1937) to Tangled, the 2010 retelling of Rapunzel, Handsome Heroes and Vile Villains looks at the portrayal of male characters in Disney films from the perspective of masculinity studies and feminist film theory. This companion vol…
