This edited collection comprises foundational texts and new contributions that revisit the theory of the «audience commodity» as first articulated by Dallas Smythe. Contributors focus on the historical and theoretical importance of this theory to critical studies of media/commun…
This edited collection comprises foundational texts and new contributions that revisit the theory of the ±audience commodity{OCLCbr#BB} as first articulated by Dallas Smythe. Contributors focus on the historical and theoretical importance of this theory to critical studies of me…
Mass communication theories were largely built when we had mass media audiences. The number of television, print, film or other forms of media audiences were largely finite, concentrating people on many of the same core content offerings, whether that be the nightly news or a po…
"Mass communication theories were largely built when we had mass media audiences. The number of television, print, film or other forms of media audiences were largely finite, concentrating people on many of the same core content offerings, whether that be the nightly news or a p…
"The theoretical framework of the discursive-material knot consists out of a non-hierarchical ontology of the interactions of the discursive and the material, articulating the assemblages that are driven by this ontological setting as restless and contingent, sometimes incessant…
Might it be possible to rearticulate the term digital in digital media, so that it refers at least as much to the deft movements or orientations of hands and fingers (of digits) as it does to the new media technologies themselves? What if digital media are understood as manual m…
Might it be possible to rearticulate the term digital in digital media, so that it refers at least as much to the deft movements or orientations of hands and fingers (of digits) as it does to the new media technologies themselves? What if digital media are understood as manual m…
Television 2.0' sets out to document and interrogate shifting patterns of engagement with digital television. Television content has not only been decoupled from the broadcast schedule through the use of digital video recorders (DVRs) but from broadcasting itself through streami…
Television 2.0' sets out to document and interrogate shifting patterns of engagement with digital television. Television content has not only been decoupled from the broadcast schedule through the use of digital video recorders (DVRs) but from broadcasting itself through streami…
"Television 2.0' sets out to document and interrogate shifting patterns of engagement with digital television. Television content has not only been decoupled from the broadcast schedule through the use of digital video recorders (DVRs) but from broadcasting itself through stream…
Television 2.0' sets out to document and interrogate shifting patterns of engagement with digital television. Television content has not only been decoupled from the broadcast schedule through the use of digital video recorders (DVRs) but from broadcasting itself through streami…
"Growing up in the era of social media isn't easy. With Facebook now having existed for more than a decade and a half, young people who have grown up using social media can now look back and see earlier versions of themselves staring back: nostalgic moments with friends from sch…
Farewell to Modernism: On Human Devolution in the Twenty-First Century' is an original, pathbreaking, revolutionary, and totalizing critique of received Modernist ideas, including Modernist Utopianism. In that vein, it unseats virtually every dearly held myth of EuroModernist di…
"Farewell to Modernism : On Human Devolution in the Twenty-First Century is an original, pathbreaking, revolutionary, and totalizing critique of received Modernist ideas, including Modernist Utopianism. In that vein, it unseats virtually every dearly held myth of EuroModernist d…
