Caridi presents a provocative discussion of how the Republican Party turned popular discontent with the war into electoral victory in 1952 and applied policies associated with the contemporary politics of force in Asia.
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This critical analysis of twelve of the plays of James Bridie (1885-1951) illustrates that throughout Bridie's work there exists a philosophical continuity which can be traced through three stages of moral awareness and which when recognized goes far in defining Bridie's genius.