This book argues that the best approach to the aesthetic value of much literature of the past is by way of the deliberate meaning--implicit or explicit--that the author invites the reader to share. Ehrenpreis shows that subtlety and indirection do not militate against the didact…
This book argues that the best approach to the aesthetic value of much literature of the past is by way of the deliberate meaning--implicit or explicit--that the author invites the reader to share. Ehrenpreis shows that subtlety and indirection do not militate against the didact…
This book argues that the best approach to the aesthetic value of much literature of the past is by way of the deliberate meaning--implicit or explicit--that the author invites the reader to share. Ehrenpreis shows that subtlety and indirection do not militate against the didact…