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La 4e de couverture indique : "Of all the job titles listed in the opening and closing screen credits, producer is certainly the most amorphous. There are businessmen and women producers, writer-director and movie-star-producers, producers who work for the studio, executive prod…
How does a film come to look the way it does? And what influence does the look of a film have on our reaction to it? The role of cinematography, as both a science and an art, is often forgotten in the chatter about acting, directing, and budgets. The successful cinematographer m…
"How does a film come to look the way it does? And what influence does the look of a film have on our reaction to it? The role of cinematography, as both a science and an art, is often forgotten in the chatter about acting, directing, and budgets. The successful cinematographer …
La 4e de couverture indique : "Movie buffs and film scholars alike often overlook the importance of makeup artists, hair stylists, and costumers. With precious few but notable exceptions, creative workers in these fields have received little public recognition, even when their a…
Screen acting is generally considered in terms of the on-screen performance, which is actually the outcome of collaborative work and ever-changing conventions of the group activity that is filmmaking. New technologies and aesthetic developments, for example, continue to change h…
Screen acting is generally considered in terms of the on-screen performance, which is actually the outcome of collaborative work and ever-changing conventions of the group activity that is filmmaking. New technologies and aesthetic developments, for example, continue to change h…
"Editing and Special/Visual Effects takes the reader behind the screen to understand how these two crucial crafts define the viewing experience of film audiences. This book provides an historical overview of each of these two crafts, from the earliest days of stop-motion substit…
« Editing and Special/Visual Effects takes the reader behind the screen to understand how these two crucial crafts define the viewing experience of film audiences. This book provides an historical overview of each of these two crafts, from the earliest days of stop-motion substi…