"In 1913, the year in which the Romanovs celebrated their tercentenary, the premieres of two revolutionary theatrical events brought Russian artists ot the forefront of the European avant-garde. With its nonsensical 'trans-sense' libretto by Matiushin and pioneering abstract set…
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"This volume brings together the first fully annotated translation of the libretto of this 'anti-opera' and other important primary source matierials, including the score, the set and costume designs and contemporary newspaper reviews. The second part of the volume provides a wi…
"In 1913, the year in which the Romanovs celebrated their tercentenary, the premieres of two revolutionary theatrical events brought Russian artists ot the forefront of the European avant-garde. With its nonsensical 'trans-sense' libretto by Matiushin and pioneering abstract set…
"In 1913, the year in which the Romanovs celebrated their tercentenary, the premieres of two revolutionary theatrical events brought Russian artists to the forefront of the European avant-garde. With its nonsensical 'trans-sense' libretto by Matiushin and pioneering abstract set…
'In Comes I' explores performance and land, biography and locality, memory and place. The book reflects on performances past and present, taking the form of a series of excursions into the agricultural landscape of eastern England, and drawing from archaeology, geomorphology, fo…
About performance and land, biography and locality, memory and place, the book reflects on performances past and present, taking the form of a series of excursions in the agricultural landscape of eastern England, and drawing from archaeology, geomorphology, folklore, local and …
Critical essays on British South Asian theatre
by Ley, Graham
fromExeter performance studies
0
Type: Book
"This book brings together a wide range of critical voices - practitioners and researchers active in the field over thirty years in Britain, Europe and the USA - to offer significant insights into British South Asian theatre... The overarching emphasis... is on theatre practice …