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This volume addresses new theoretical approaches in visual and memory studies that prompted to rethink of the photography of Russian Turkestan of the nineteenth and early twentieth centuries. Attempts to relate the visual unknown documentations to postcolonial criticism also ope…
The Sangītaratnākara («The Ocean of Music») written by Śārngadeva in the 13th century is the most important theoretical work on Indian classical music. Its prologue, the Pindotpatti-prakarana («The Section of the Arising of the Human Body»), deals with the Indian science of the …