The films of Darren Aronofsky invite emotional engagement by means of affective resonance between the film and the spectator's lived body. Aronofsky's films, which include a rich range of production from 'Requiem for a Dream' to 'Black Swan', are often considered cerebral becaus…
The films of Darren Aronofsky invite emotional engagement by means of affective resonance between the film and the spectator's lived body. Aronofsky's films, which include a rich range of production from Requiem for a Dream to Black Swan, are often considered "cerebral" because …
Preliminary Material /Corina Caduff, Anne-Kathrin Reulecke and Ulrike Vedder -- Vorwort /Corina Caduff, Anne-Kathrin Reulecke and Ulrike Vedder -- Pathosforschung /Ursula Krechel -- The Bond of Shame /Carlo Ginzburg -- Pathos und Ethos /Friedrich Kittler -- Biblische Hymnik und …
Passionen: Objekte - Schauplätze - Denkstile
Mastering Fear analyzes horror as play and examines what functions horror has and why it is adaptive and beneficial for audiences, including women. It takes a biocultural approach, and focusing on emotions, gender, and play, it argues that the audience plays with fiction horror.…
"Mastering Fear analyzes horror as play and examines what functions horror has and why it is adaptive and beneficial for audiences. It takes a biocultural approach, and focusing on emotions, gender, and play, it argues we play with fiction horror. In horror we engage not only wi…
Mastering Fear analyzes horror as play and examines what functions horror has and why it is adaptive and beneficial for audiences, including women. It takes a biocultural approach, and focusing on emotions, gender, and play, it argues that the audience plays with fiction horror.…
Mastering Fear analyzes horror as play and examines what functions horror has and why it is adaptive and beneficial for audiences, including women. It takes a biocultural approach, and focusing on emotions, gender, and play, it argues that the audience plays with fiction horror.…
"Mastering Fear analyzes horror as play and examines what functions horror has and why it is adaptive and beneficial for audiences. It takes a biocultural approach, and focusing on emotions, gender, and play, it argues we play with fiction horror. In horror we engage not only wi…