"In 1980, Julia Kristeva's essay on abjection, Pouvoirs de l'horreur, was first published in France and subsequently translated into English as Powers of horror. Nicholas Chare's book provides a critical and careful reassessment of Kristeva's often misunderstood writings on the …
In 1980, Julia Kristeva's essay on abjection, Pouvoirs de l'horreur, was first published in France and subsequently translated into English as Powers of horror. Nicholas Chare's book provides a critical and careful reassessment of Kristeva's often misunderstood writings on the a…
In 1980, Julia Kristeva's essay on abjection, Pouvoirs de l'horreur, was first published in France and subsequently translated into English as Powers of horror. Nicholas Chare's book provides a critical and careful reassessment of Kristeva's often misunderstood writings on the a…
In 1980, Julia Kristeva's essay on abjection, Pouvoirs de l'horreur, was first published in France and subsequently translated into English as Powers of horror. Nicholas Chare's book provides a critical and careful reassessment of Kristeva's often misunderstood writings on the a…
"The Working Class and Twenty-First-Century British Fiction looks at how the twenty-first-century British novel has explored contemporary working-class life. Studying the works of David Peace, Gordon Burn, Anthony Cartwright, Ross Raisin, Jenni Fagan, and Sunjeev Sahota, the boo…
The Working Class and Twenty-First-Century British Fiction looks at how the twenty-first-century British novel has explored contemporary working-class life. Studying the works of David Peace, Gordon Burn, Anthony Cartwright, Ross Raisin, Jenni Fagan, and Sunjeev Sahota, the book…
"From the films of Larry Clark, to the feminist comedy of Amy Schumer, to the fall of Louis CK, comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated move b…
"From the films of Larry Clark, to the feminist comedy of Amy Schumer, to the fall of Louis CK, comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated move b…
"From the films of Larry Clark, to the feminist comedy of Amy Schumer, to the fall of Louis CK, comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated move b…
