Min Tanaka, American butoh artists, Cultural Studies, experimental art, Kazuo Ohno, Shuji Terayama, Theatre.
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"American Anchor Artists and Festivals" highlights three key artists: Maureen Fleming, Joan Laage, and Diego Piñón. All have spent numerous years in Japan and worked with the Ohnos, and two have worked with Min Tanaka. Their teaching and performance is the foundation of American…
What are the key elements that go into creating a work of art for the stage? Which are the most productive conditions and methods of rehearsal? In this collection of interviews, 18 international artists share their experience and offer practical advice on the creation of perform…
The essential handbook for every actor. In every drama school, in every English-speaking country, students from all over the world have to learn a Standard English Accent, and voice and drama tutors have to teach it. But what exactly is it? How many varieties are there? And whic…
What should an actor be thinking onstage? This overlooked, important question is the crux of this new book that combines psychological theory, numerous practical exercises, and a thorough and wide-reaching examination of inner monologue in various forms including film, musical t…
This text offers representative dialects of every major section of the United States. In each case there is a general description and history of the dialect, an analysis of the vowel and consonant peculiarities, of its individual lilt and rhythm and of its grammar variations.
"'Stimulating and intelligent' Yoshi Oida Seventy percent of everyday conversation is conveyed through body language, twenty percent is the voice and only ten percent is the meaning of the words. In The Body Speaks, expert RADA trainer Lorna Marshall, shows how to recognise and …
Since its inaugural issue in April, 2000, the journal Consciousness, Literature and the Arts has regularly published essays on the intersection of theatre and consciousness. Often these essays have seen theatre as a spiritual practice that for both the performer and her audience…
Since its inaugural issue in April, 2000, the journal Consciousness, Literature and the Arts has regularly published essays on the intersection of theatre and consciousness. Often these essays have seen theatre as a spiritual practice that for both the performer and her audience…