"Contemporary Adaptations of Greek Tragedy: Auteurship and Directorial Visions provides a wide-ranging analysis of the role of the director in shaping adaptations for the stage today. Through its focus on a wide range of international productions by Katie Mitchell, Theodoros Ter…
"Contemporary Adaptations of Greek Tragedy: Auteurship and Directorial Visions provides a wide-ranging analysis of the role of the director in shaping adaptations for the stage today. Through its focus on a wide range of international productions by Katie Mitchell, Theodoros Ter…
"From the gouging out of eyes in Shakespeare's King Lear or Sarah Kane's Blasted, to the adaptation of Philip Pullman's His Dark Materials trilogy, theatre has long been intrigued by the staging of challenging plays and impossible texts, images or ideas. Performing the Unstageab…
"From the gouging out of eyes in Shakespeare's King Lear or Sarah Kane's Blasted, to the adaptation of Philip Pullman's His Dark Materials trilogy, theatre has long been intrigued by the staging of challenging plays and impossible texts, images or ideas. Performing the Unstageab…
From the gouging out of eyes in Shakespeare's King Lear or Sarah Kane's Cleansed, to the adaptation of Philip Pullman's His Dark Materials trilogy, theatre has long been intrigued by the staging of challenging plays and impossible texts, images or ideas. Performing the Unstageab…
"From the gouging out of eyes in Shakespeare's 'King Lear' or Sarah Kane's 'Blasted', to the adaptation of Philip Pullman's 'His Dark Materials' trilogy, theatre has long been intrigued by the staging of challenging plays and impossible texts, images or ideas. 'Performing the Un…
"From the gouging out of eyes in Shakespeare's King Lear or Sarah Kane's Blasted, to the adaptation of Philip Pullman's His Dark Materials trilogy, theatre has long been intrigued by the staging of challenging plays and impossible texts, images or ideas. Performing the Unstageab…
In the early 1970s Harold Pinter joined forces with director Joseph Losey and Proust scholar Barbara Bray to develop a screenplay of Proust's masterpiece, Remembrance of Things Past. Pinter took more than a year to conceive and write the screenplay and called the experience "the…
