This work traces the globalisation of the digital medium, and enquires into its effects on subjectivity and sociality. The author argues for a democracy beyond the free market and the global corporation.
The book brings together research that investigates how people experience products: durable, non-durable, or virtual. In contrast to other books, the present book takes a very broad, possibly all-inclusive perspective, on how people experience products. It thereby bridges gaps b…
This is a comprehensive, integrated account of eighteenth and early nineteenth century German figurative aesthetics. The author focuses on the theologically-minded discourse on the visual arts that unfolded in Germany, circa 1754-1828, to critique the assumption that German roma…
This tractate—a treatise—on beauty in Japanese art, is written in the manner of a zuihitsu, a free-ranging assortment of ideas that “follow the brush” wherever it leads. Donald Richie looks at how perceptual values in Japan were drawn from raw nature and then modified by elegant…
Presents an English translation of ""Husserliana XXIII"", the volume in the edition of Edmund Husserl's works. The lectures and sketches comprising ""Husserliana XXIII"" come from a period of enormous productivity and pivotal development in Husserl's philosophical life.
Annotation
'Aesthetics and Architecture' places analytical philosophical aesthetics at the heart of thinking about, and looking at, architecture. It looks at classic and contemporary aesthetic and philosophical views of architecture.
'Aesthetics and Architecture' places analytical philosophical aesthetics at the heart of thinking about, and looking at, architecture. It looks at classic and contemporary aesthetic and philosophical views of architecture.
This much acclaimed book has emerged as neo-pragmatism's most significant contribution to contemporary aesthetics. By articulating a deeply embodied notion of aesthetic experience and the art of living, and by providing a compellingly rigorous defense of popular art—crowned by a…
