The South Side scene -- Two art ensembles -- The Art Ensemble of Paris -- A Jackson in your house -- On the road -- Free together -- Live at Mandel Hall -- Great black music -- Live from the Jazz Showcase This year marks the golden anniversary of the Art Ensemble of Chicago, th…
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This year marks the golden anniversary of the Art Ensemble of Chicago, the flagship band of the Association for the Advancement of Creative Musicians. Formed in 1966 and flourishing until 2010, the Art Ensemble distinguished itself by its unique performance practices-- members p…
This year marks the golden anniversary of the Art Ensemble of Chicago, the flagship band of the Association for the Advancement of Creative Musicians. Formed in 1966 and flourishing until 2010, the Art Ensemble distinguished itself by its unique performance practices - members p…
"The essays contained in this volume address some of the most visible, durable and influential of African American musical styles as they developed from the mid-1960s into the 21st-century. Soul, funk, pop, R & B and hip hop practices are explored both singly and in their many c…
"The essays contained in this volume address some of the most visible, durable and influential of African American musical styles as they developed from the mid-1960s into the 21st-century. Soul, funk, pop, R & B and hip hop practices are explored both singly and in their many c…
"Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
"In Listening for Africa David F. Garcia explores how a diverse group of musicians, dancers, academics, and activists engaged with the idea of black music and dance's African origins between the 1930s and 1950s. Garcia examines the work of figures ranging from Melville J. Hersko…
Analyzing the African origins of Negro music and dance in a time of racism, fascism, and war -- Listening to Africa in the city, in the laboratory, and on record -- Embodying Africa against racial oppression, ignorance, and colonialism -- Disalienating movement and sound from th…
"In Listening for Africa David F. Garcia explores how a diverse group of musicians, dancers, academics, and activists engaged with the idea of black music and dance's African origins between the 1930s and 1950s. Garcia examines the work of figures ranging from Melville J. Hersko…
In Listening for Africa David F. Garcia explores how a diverse group of musicians, dancers, academics, and activists engaged with the idea of black music and dance's African origins between the 1930s and 1950s. Garcia examines the work of figures ranging from Melville J. Herskov…
"In Listening for Africa David F. Garcia explores how a diverse group of musicians, dancers, academics, and activists engaged with the idea of black music and dance's African origins between the 1930s and 1950s. Garcia examines the work of figures ranging from Melville J. Hersko…
David F. Garcia examines the work of a wide range of musicians, dancers, academics, and activists between the 1930s and the 1950s to show how their belief in black music's African roots would provide the means to debunk racist ideologies, aid decolonization of Africa, and ease r…
Soundworks: race, sound, and poetry in production
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Type: Book
Introduction: Black: Sonic: Textuality -- One: Voice Prints: Toward a Black Media Concept -- Two: Communities in Transition: A Poetics of Black Communism -- Three: Tomorrow Is the Question! Amiri Baraka's Poetics for a Post-Revolutionary -- Age -- Four: Body/Language: The Semiot…
Soundworks: race, sound, and poetry in production
0
Type: Book
"Anthony Reed takes the recorded collaborations between African American poets and musicians such as Amiri Baraka, Jayne Cortez, Cecil Taylor, and Charles Mingus to trace the overlaps between experimental music and poetry and the ways in which intellectuals, poets, and musicians…
Soundworks: race, sound, and poetry in production
0
Type: Book
"Anthony Reed takes the recorded collaborations between African American poets and musicians such as Amiri Baraka, Jayne Cortez, Cecil Taylor, and Charles Mingus to trace the overlaps between experimental music and poetry and the ways in which intellectuals, poets, and musicians…