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?This response to Camus{u2019}s The Stranger is at once a love story and a political manifesto about post-colonial Algeria, Islam, and the irrelevance of Arab lives He was the brother of ?the Arab? killed by the infamous Meursault, the antihero of Camus{u2019}s classic novel. Se…
Response to Camus's The Stranger is at once a love story and a political manifesto about post-colonial Algeria, Islam, and the irrelevance of Arab lives.
"He was the brother of "the Arab" killed by the infamous Meursault, the antihero of Camus's classic novel. Seventy years after that event, Harun, who has lived since childhood in the shadow of his sibling's memory, refuses to let him remain anonymous: he gives his brother a stor…
When a young Algerian named Meursault kills a man, his subsequent imprisonment and trial are puzzling and absurd. The apparently amoral Meursault--who puts little stock in ideas like love and God--seems to be on trial less for his murderous actions, and more for what the authori…
A young Algerian, Meursault, afflicted with a sort of aimless inertia, becomes embroiled in the petty intrigues of a local pimp and, somewhat inexplicably, ends up killing a man. His trial is a proceeding of absurd and incidental trivialities which yeild a ridiculous and inevita…
A young Algerian, Meursault, afflicted with a sort of aimless inertia, becomes embroiled in the petty intrigues of a local pimp and, somewhat inexplicably, ends up killing a man. His trial is a proceeding of absurd and incidental trivialities which yeild a ridiculous and inevita…
When a young Algerian named Meursault kills a man, his subsequent imprisonment and trial are puzzling and absurd. The apparently amoral Meursault--who puts little stock in ideas like love and God--seems to be on trial less for his murderous actions, and more for what the authori…
Through the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach, Camus explored what he termed "the nakedness of man faced with the absurd." First published in 1946; now in a new translation by Matthew Ward.