Most of the expressions we use in ordinary language are vague, in the sense that their meaning does not allow us to specify a unique and constant boundary between the objects to which they apply and those to which they don't. An adjective like 'young', for instance, does not sel…
"Classical works have for us become covered with the glassy armor of familiarity," wrote Victor Shklovsky in 1914. Here Kristin Thompson "defamiliarizes" the reader with eleven different films. Developing the technique formulated in her Eisenstein's Ivan the Terrible (Princeton,…
This book defends an account of ambiguity which illuminates the aesthetic possibilities of film and the nature of film criticism. Ambiguity typically describes the condition of multiple meanings. But we can find multiple meanings in what appears unambiguous to us. So, what makes…