In Dying Modern, one of our foremost literary critics inspires new ways to read, write, and talk about poetry. Diana Fuss does so by identifying three distinct but largely unrecognized voices within the well-studied genre of the elegy: the dying voice, the reviving voice, and th…
Soundworks: race, sound, and poetry in production
"Soundworks takes the many recorded collaborations between African American poets and musicians associated with the long Black Arts era (late-1950s through mid-1970s) as the occasion to reframe the object of black sound studies as the product of material, technical, sensual, and…
The ecopoetry anthology
"An anthology of American poetry about nature and the environment, divided into a historical section with poetry written from roughly the mid-nineteenth to the mid-twentieth century and a contemporary section with over 300 poems written since 1960 by a diverse group of more than…
"American Hybrid Poetics explores the ways in which hybrid poetics--a playful mixing of disparate formal and aesthetic strategies--have been the driving force in the work of a historically and culturally diverse group of women poets who are part of a robust tradition in contesti…
"In Red Modernism, Mark Steven asserts that modernism was highly attuned--and aesthetically responsive--to the overall spirit of communism. He considers the maturation of American poetry as a longitudinal arc, one that roughly followed the rise of the USSR through the Russian Re…
Præsentation samt to digte af hver af bogens 35 kvindelige, amerikanske forfattere inden for spoken word/poetry slam-genren
Wallace Stevens and the Apocalyptic Mode focuses on Stevens' stance toward the apocalyptic past: his use of and resistance to apocalyptic language. It explores the paradoxical roles of apocalyptic and anti-apocalyptic rhetoric in modernist and postmodernist poetry and theory, pa…
The biography of James Merrill (1926-1995) is that of a young man escaping, but inevitably reproducing, the energies and obsessions of glamorous, powerful parents (his father founded Merrill Lynch), of a gay man inventing his identity against a shifting social and sexual backdro…
How do we reckon our past without being ravaged by it? How do we use people, and their bodies, to express ourselves?--Publisher website.
""Objectivist" writers, conjoined through a variety of personal, ideological, and literary-historical links, have, from the late 1920s to the present, attracted emulation and suspicion. Representing a nonsymbolist, postimagist poetics and characterized by a historical, realist, …