Castronovo argues that the category of death was a central part of the concept of citizenship in the 19th-century US, and that it served to naturalise white males as ideal citizens. He examines issues involving the occult, suicide and ghosts.
Argues that the category of death was a central part of the concept of citizenship in the nineteenth-century U.S., and that the particular form of that construction functioned to naturalize white males as ideal citizens.
The grunge music genre broke into mainstream radio in 1991 with the release of Nirvana’s single “Smells Like Teen Spirit” and their album, Nevermind. The movement’s unprecedented popularity exposed a community of young musicians in Seattle, Washington whose music became cast as …
In attending to consumption as a defining feature of life in Western societies, existing consumer research has tended to envisage, construct and reproduce ‘the consumer’ as either enthusiastically embracing the delights of the market, or as actively resisting or rebelling agains…
