"In this book Martha Buskirk addresses the fact that since the early 1960s, almost everything can be and has been called art. Among other practices, contemporary artists have employed mass-produced elements, impermanent materials, and appropriated imagery, have incorporated perf…
An exploration of transformations in the nature of the art object and artistic authorship in the last four decades. In this book, Martha Buskirk addresses the interesting fact that since the early 1960s, almost anything can and has been called art. Among other practices, contemp…
Since the early Nineteen Nineties, an ever increasing number of artworks have been created on the basis of pre-existing works. More and more artists interpret, reproduce, re-exhibit, or use works made by others or available cultural products. This art of postproduction seems to …
"Recent decades have seen an upsurge in visitation to rock art sites, as well as an increase in commercial reproduction of rock art and attempts to understand the meaning and function of that art within the indigenous cultures that produced it. What motivates this growing intere…
"Recent decades have seen an upsurge in visitation to rock art sites, as well as an increase in commercial reproduction of rock art and attempts to understand the meaning and function of that art within the indigenous cultures that produced it. What motivates this growing intere…
"Recent decades have seen an upsurge in visitation to rock art sites, as well as an increase in commercial reproduction of rock art and attempts to understand the meaning and function of that art within the indigenous cultures that produced it. What motivates this growing intere…
« The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists-most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography. Since those works of the early 1980s, she has cont…
Pictures / Douglas Crimp -- Afterward/Afterword/Afterwork / Maria Loh
Texts--including essays, reviews, and statements by the artist--on the work of Sherrie Levine. The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists--most famously for her rephotographs of canonical images by Edward Weston, Eliot Porte…
The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists-most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography. Since those works of the early 1980s, she has contin…
by Lee, Patricia,, (Writer on contemporary art)
fromOne work
by Lee, Patricia,, (Writer on contemporary art)
fromOne work
Warhol Marilyn (1965) is not a work by Andy Warhol but by Elaine Sturtevant. Sturtevant (as she preferred to be called) remade and exhibited works by other artists, among them Warhol's 1962 silkscreen portratis of Marilyn Monroe. In this book, Patricia Lee discusses the way Stur…
by Lee, Patricia,, (Writer on contemporary art), Sturtevant, Afterall
fromOne work
Warhol Marilyn (1965) is not a work by Andy Warhol but by Elaine Sturtevant. Sturtevant (as she preferred to be called) remade and exhibited works by other artists, among them Warhol's 1962 silkscreen portratis of Marilyn Monroe. In this book, Patricia Lee discusses the way Stur…
by Lee, Patricia,, (Writer on contemporary art)
fromOne work
Warhol Marilyn (1965) is not a work by Andy Warhol but by Elaine Sturtevant. Sturtevant (as she preferred to be called) remade and exhibited works by other artists, among them Warhol's 1962 silkscreen portratis of Marilyn Monroe. In this book, Patricia Lee discusses the way Stur…
"Internet memes--digital snippets that can make a joke, make a point, or make a connection -- are now a lingua franca of online life. They are collectively created, circulated, and transformed by countless users across vast networks. Most of us have seen the cat playing the pian…
