"In Exorcising History, Jean Graham-Jones documents, contextualizes, and analyzes theater produced in Buenos Aires during Argentina's military dictatorship of 1976-83 and the nation's subsequent return to democracy. The plays discussed, while not necessarily constituting "politi…
"Charting the performances of an emergent generation of playwrights, directors, actors, designers, and multimedia artists, this book illustrates how the Argentine theatre has presented the country's shifting discourses on the dictatorship and transitional justice policies from t…
"Charting the performances of an emergent generation of playwrights, directors, actors, designers, and multimedia artists, this book illustrates how the Argentine theatre has presented the country's shifting discourses on the dictatorship and transitional justice policies from t…
"Charting the performances of an emergent generation of playwrights, directors, actors, designers, and multimedia artists, this book illustrates how the Argentine theatre has presented the country's shifting discourses on the dictatorship and transitional justice policies from t…
"In Home Is Where The (He)art Is Sharon Magnarelli employs a variety of contemporary critical approaches to examine the dramatic works written or performed between 1956 and 1999. Focusing on plays by Griselda Gambaro, Eduardo Rovner, Sabina Berman, Diana Raznovich, Roberto Cossa…