Focuses on the appropriation of visual elements of the classical, medieval, and Renaissance past in Mussolini's Italy.
Focuses on the appropriation of visual elements of the classical, medieval, and Renaissance past in Mussolini's Italy.
This ambitious collection treating the appropriation of the past for political purposes by Italian fascists focuses on the role of the visual in the aim of fusing the past and the modern world in Mussolini's Italy.
Bringing together studies by art historians, historians, and political scientists, Fascist Visions explores the themes and paradigms that pervaded protofascist and fascist aesthetic discourse, cultural policy, and artistic production in France and Italy. Whether traditionalist o…
Bringing together studies by art historians, historians, and political scientists, Fascist Visions explores the themes and paradigms that pervaded protofascist and fascist aesthetic discourse, cultural policy, and artistic production in France and Italy. Whether traditionalist o…
Bringing together studies by art historians, historians, and political scientists, Fascist Visions explores the themes and paradigms that pervaded protofascist and fascist aesthetic discourse, cultural policy, and artistic production in France and Italy. Whether traditionalist o…
Howard estudia el arte como acción colectiva, fruto de actividades de cooperación efímeras o estables, ejecutadas de acuerdo con patrones y normas establecidos que conforman los llamados "mundos del arte"
