The eminent critic, historian, and former member of the Art & Language collective Terry Smith explores the artistic, philosophical, political, and geographical dimensions of conceptual art and conceptualism while offering a theory of contemporary art.
Stretching lengths of yarn across interior spaces, American artist Fred Sandback (1943-2003) created expansive works that underscore the physical presence of the viewer. This book, the first major study of Sandback, explores the full range of his art, which not only disrupts tra…
Stretching lengths of yarn across interior spaces, American artist Fred Sandback (1943-2003) created expansive works that underscore the physical presence of the viewer. This book, the first major study of Sandback, explores the full range of his art, which not only disrupts tra…
If you attend a contemporary art exhibition today, you're unlikely to see much traditional painting or sculpture. Indeed, artists today are preoccupied with what happens when you leave behind assumptions about particular media - such as painting, or woodcuts - and instead focus …
"Garrett Stewart in Transmedium dubs this new approach Conceptualism 2.0, an allusion in part to the computer images that are so often addressed by these works. A successor to 1960s Conceptualism, which posited that a material medium was unnecessary to the making of art, Concept…
This book follows recent artists in a vein of second-wave of Conceptual art practice dubbed Conceptualism 2.0--in works shadowed by the digital if not directly employing it: works that negotiate a sensory space between medium specificity, in the high modernist mode, and recent c…
"Garrett Stewart in Transmedium dubs this new approach Conceptualism 2.0, an allusion in part to the computer images that are so often addressed by these works. A successor to 1960s Conceptualism, which posited that a material medium was unnecessary to the making of art, Concept…