The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. In Wages Against Artwork Leigh Claire La Berge shows how socially engaged art responds to and critiq…
The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. In Wages Against Artwork Leigh Claire La Berge shows how socially engaged art responds to and critiq…
The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. In Wages Against Artwork Leigh Claire La Berge shows how socially engaged art responds to and critiq…
The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. In Wages Against Artwork Leigh Claire La Berge shows how socially engaged art responds to and critiq…
The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. In Wages Against Artwork Leigh Claire La Berge shows how socially engaged art responds to and critiq…
Painting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Sea…
A pathbreaking history of art that uses digital research and economic tools to reveal enduring inequities in the formation of the art historical canonPainting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time,…
"An innovative application of economic methods to the study of art history, demonstrating that new insights can be uncovered by using quantitative and qualitative methods together, which sheds light on longstanding disciplinary inequities"-- "Painting by Numbers presents a grou…
"An innovative application of economic methods to the study of art history, demonstrating that new insights can be uncovered by using quantitative and qualitative methods together, which sheds light on longstanding disciplinary inequities"--
Introduction : speculation as a mode of production in art and capital -- Speculation : the subjectivity of re-structuring and re-structuring subjectivity -- Topologies of speculation : the tenses of art, labour and finance -- Aesthetic speculations and antagonisms -- Whatever in…
In Speculation as a Mode of Production: Forms of Value Subjectivity in Art and Capital , Marina Vishmidt offers a new perspective on one of the main categories of capitalist life in the historical present. Writing not under the shadow but in the spirit of Adorno's negative diale…
In Speculation as a Mode of Production: Forms of Value Subjectivity in Art and Capital , Marina Vishmidt offers a new perspective on one of the main categories of capitalist life in the historical present. Writing not under the shadow but in the spirit of Adorno's negative diale…
"In Speculation as a Mode of Production: Aesthetics and the Financialisation of the Subject, Marina Vishmidt offers a new perspective on one of the main categories of capitalist life in the present. Writing not under the shadow but in the spirit of Adorno's negative dialectic, h…
"In Speculation as a Mode of Production: Aesthetics and the Financialisation of the Subject, Marina Vishmidt offers a new perspective on one of the main categories of capitalist life in the present. Writing not under the shadow but in the spirit of Adorno's negative dialectic, h…
"In Speculation as a Mode of Production: Aesthetics and the Financialisation of the Subject, Marina Vishmidt offers a new perspective on one of the main categories of capitalist life in the present. Writing not under the shadow but in the spirit of Adorno's negative dialectic, h…
La 4e de couv. indique : "In Speculation as a Mode of Production: Aesthetics and the Financialisation of the Subject, Marina Vishmidt offers a new perspective on one of the main categories of capitalist life in the present. Writing not under the shadow but in the spirit of Adorn…
"In Speculation as a Mode of Production: Aesthetics and the Financialisation of the Subject, Marina Vishmidt offers a new perspective on one of the main categories of capitalist life in the present. Writing not under the shadow but in the spirit of Adorno's negative dialectic, h…
"In Speculation as a Mode of Production: Aesthetics and the Financialisation of the Subject, Marina Vishmidt offers a new perspective on one of the main categories of capitalist life in the present. Writing not under the shadow but in the spirit of Adorno's negative dialectic, h…