La Fabrique des images donne à voir comment des cultures très diverses figurent les ressemblances et les différences quʹelles perçoivent dans leur entourage? Les images qui en résultent correspondent à quatre visions du monde bien contrastées qui se retrouvent dans des œuvres is…
The prominent cultural critic Mieke Bal defines the new discipline of 'art writing' as a fresh mode of criticism, which aims to 'put the art first'. Following this definition, this volume puts the sites of the critic's engagement with art first.
"Magiciens de la terre literally translates to "Magicians of the World." In 1989, in the wake of the infamous "Primitivism" show at MOMA, curator Jean-Hubert Martin set out to create a show that counteracted ethnocentric practices within the contemporary art world as a replaceme…
Ausstellungen sind konstitutiv für die "Ordnungen des Wissens" einer Kultur - so etwa für den Kanon der Kunstgeschichte. Im Mittelpunkt dieses Buches steht die "Documenta 11" aus dem Jahre 2002, an der sich eine Entwicklung symptomatisch ablesen lässt: Nach dem Bruch von 1989 un…
"This book is an interdisciplinary collection of twenty-four essays which critically examine contemporary exhibitions and artistic practices that focus on conceptual and creative aspects of access. Oftentimes exhibitions tack on access once the artwork has already been executed …
"This book is an interdisciplinary collection of twenty-four essays which critically examine contemporary exhibitions and artistic practices that focus on conceptual and creative aspects of access. Oftentimes exhibitions tack on access once the artwork has already been executed …
Strategy: Get Arts (SGA) was a landmark exhibition held in 1970 in the main Edinburgh College of Art (ECA) building. During SGA, the work of 35 post-war artists based in the dynamic Kunststadt (art city) of Düsseldorf, several of them now canonical figures including Joseph Beuys…
This is the first publication to consider the formation and impact of the landmark exhibition Strategy: Get Arts (SGA), staged at Edinburgh College of Art (ECA) as part of the Edinburgh Festival in 1970.
Strategy: Get Arts (SGA) was a landmark exhibition held in 1970 in the main Edinburgh College of Art (ECA) building. During SGA, the work of 35 post-war artists based in the dynamic Kunststadt (art city) of Düsseldorf, several of them now canonical figures including Joseph Beuys…
This is the first publication to consider the formation and impact of the landmark exhibition Strategy: Get Arts (SGA), staged at Edinburgh College of Art (ECA) as part of the Edinburgh Festival in 1970.
Contemporary Curating, Artistic Reference and Public Reception' undertakes a unique critical survey and analysis of prevailing group exhibition-making practices in Europe, the UK and North America.0Drawing on curatorial literature and two in-depth case studies of group exhibitio…
Contemporary Curating, Artistic Reference and Public Reception undertakes a unique critical survey and analysis of prevailing group exhibition-making practices in Europe, the UK and North America. Drawing on curatorial literature and two in-depth case studies of group exhibition…
Contemporary Curating, Artistic Reference and Public Reception' undertakes a unique critical survey and analysis of prevailing group exhibition-making practices in Europe, the UK and North America.0Drawing on curatorial literature and two in-depth case studies of group exhibitio…