"In this first book-length study of the internationally renowned Canadian artist Char Davies, Laurie McRobert examines the digital installations Osmose and Ephemere in the context of Davies' artistic and conceptual inspirations. Davies, originally a painter, turned to technology…
In this first book-length study of the internationally renowned Canadian artist Char Davies, Laurie McRobert examines the digital installations Osmoseand Ephémèrein the context of Davies' artistic and conceptual inspirations. Davies, originally a painter, turned to technology in…
In this first book-length study of the internationally renowned Canadian artist Char Davies, Laurie McRobert examines the digital installations Osmoseand Ephémèrein the context of Davies' artistic and conceptual inspirations. Davies, originally a painter, turned to technology in…
"Drawing on contributions from practising artists, writers, curators and academics, Searching for art's new publics explores the ways in which artists seek to involve, create and engage with new and diverse audiences, remarking on the fine line between the experience of being in…
"Drawing on contributions from practising artists, writers, curators and academics, Searching for art's new publics explores the ways in which artists seek to involve, create and engage with new and diverse audiences, remarking on the fine line between the experience of being in…
"Hyper narrative interactive cinema refers to the possibility for users or "interactors" to shift at different points in an evolving film narrative to other film narrative trajectories. Such works have resulted so far in interactor distraction rather than sustained engagement. C…
Hyper narrative interactive cinema refers to the possibility for users or "interactors" to shift at different points in an evolving film narrative to other film narrative trajectories. Such works have resulted so far in interactor distraction rather than sustained engagement. Co…
Hyper narrative interactive cinema refers to the possibility for users or "interactors" to shift at different points in an evolving film narrative to other film narrative trajectories. Such works have resulted so far in interactor distraction rather than sustained engagement. Co…
