La 4 e de couverture indique : "Study of the migration of motifs, materials, personnel, and finished objects in Eurasia has a long pedigree in medieval art history, and the broadening attention to material culture as an alternative to purely textually based historical accounts h…
Study of the migration of motifs, materials, personnel, and finished objects in Eurasia has a long pedigree in medieval art history, and the broadening attention to material culture as an alternative to purely textually based historical accounts has been integral to reshaping th…
The growth in debates concerning the concept of 'the global' in medieval art history, and the more complex picture of Eurasian and African societies and material culture that has emerged in the past two decades has highlighted challenges to traditional art historical narratives,…
"This set assembles and consolidates the current state of research on medieval Famagusta. Volume 1 is "devoted to the city's imposing artifactual remains. Its initial chapters analyse the architecture of the surviving Latin, Greek, and East Christian churches, tracing the city's…
The first of two volumes designed to assemble and consolidate the current state of research on medieval Famagusta, this book is devoted to the city’s imposing artifactual remains. Its initial chapters analyse the architecture of the surviving Latin, Greek, and East Christia…
"This set assembles and consolidates the current state of research on medieval Famagusta. Volume 1 is "devoted to the city's imposing artifactual remains. Its initial chapters analyse the architecture of the surviving Latin, Greek, and East Christian churches, tracing the city's…
Cats were illustrated in medieval manuscripts throughout the Middle Ages, often in exquisite detail and frequently accompanied by their natural prey, mice. Medieval cats were viewed as treasured pets, as fearsome mousers, as canny characters in fables, as associates of the Devil…
Cats were illustrated in medieval manuscripts throughout the Middle Ages, often in exquisite detail and frequently accompanied by their natural prey, mice. Medieval cats were viewed as treasured pets, as fearsome mousers, as canny characters in fables, as associates of the Devil…
Cats were illustrated in medieval manuscripts throughout the Middle Ages, often in exquisite detail and frequently accompanied by their natural prey, mice. Medieval cats were viewed as treasured pets, as fearsome mousers, as canny characters in fables, as associates of the Devil…
