For decades, aesthetics has been subjected to a variety of critiques, often concerning its treatment of beauty or the autonomy of art. Collectively, these complaints have generated an anti-aesthetic stance now prevalent in the contemporary art world. Yet if we examine the motiva…
For decades, aesthetics has been subjected to a variety of critiques, often concerning its treatment of beauty or the autonomy of art. Collectively, these complaints have generated an anti-aesthetic stance now prevalent in the contemporary art world. Yet if we examine the motiva…
Art as "Night" proposes a type of a-historical dark knowledge (a-theology and theology, at once) crossing painting since Velázquez, but reaching back to the Renaissance, especially Titian and Caravaggio. As a form of formalism, this "night" is also closely allied Other forms of …
A well-known feature of great works of art is their power to ""live on"" long after the moment of their creation - to remain vital and alive long after the culture in which they were born has passed into history. This power to transcend time is common to works as various as the …
A well-known feature of great works of art is their power to ""live on"" long after the moment of their creation - to remain vital and alive long after the culture in which they were born has passed into history. This power to transcend time is common to works as various as the …
Two German philosophers working during the Weimar Republic in Germany, between the two World Wars, produced seminal texts that continue to resonate almost 100 years later. Franz Rosenzweig and Martin Heidegger, a Jewish thinker and a philosopher who at one time was studying to b…
by ProQuest (Firm), Whybrow, Nicolas
fromEbook Central Academic Complete Collection
To Henri Lefebvre, the space and 'lived everydayness' of the inter-dependent, multi-faceted city produces manifold possibilities of identifiction and realisation through often imperceptible interactions and practices. 'Art and the City' takes this observation as its cue to exami…
