This is a book on the artwork produced by prisoners and ex-inmates of Her Majesty's Prison Service. The book starts with an essay on taking art teaching into prisons. It profiles ten 'insiders', discussing the difference art has made to their lives and features a gallery of artw…
This is a book on the artwork produced by prisoners and ex-inmates of Her Majesty's Prison Service. The book starts with an essay on taking art teaching into prisons. It profiles ten 'insiders', discussing the difference art has made to their lives and features a gallery of artw…
This is a book on the artwork produced by prisoners and ex-inmates of Her Majesty's Prison Service. The book starts with an essay on taking art teaching into prisons. It profiles ten 'insiders', discussing the difference art has made to their lives and features a gallery of artw…
This is a book on the artwork produced by prisoners and ex-inmates of Her Majesty's Prison Service. The book starts with an essay on taking art teaching into prisons. It profiles ten 'insiders', discussing the difference art has made to their lives and features a gallery of artw…
To the extent that any art historian becomes "famous," Sir Ernst Gombrich is the most famous art historian in the world. He is the author of the seminal work The Story of Art, a staunch champion of the traditional canon, and a perceptive analyst of artistry and illusion. This ma…
Stephen Davies explores the idea that art, and our aesthetic sensibilities more generally, should be understood as an element in human evolution. He asks: Do animals have aesthetics? Do our aesthetic preferences have prehistoric roots? Is art universal? What is the biological ro…
Stephen Davies explores the idea that art, and our aesthetic sensibilities more generally, should be understood as an element in human evolution. He asks: Do animals have aesthetics? Do our aesthetic preferences have prehistoric roots? Is art universal? What is the biological ro…
Stephen Davies explores the idea that art, and our aesthetic sensibilities more generally, should be understood as an element in human evolution. He asks: Do animals have aesthetics? Do our aesthetic preferences have prehistoric roots? Is art universal? What is the biological ro…
Explores the idea that our aesthetic responses and art behaviors are connected to our evolved human nature reaching back hundreds of thousands of years to our humanoid ancestors. Examines human aesthetic interest in animals, decouples human beauty from mate selection, and weighs…
