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The Oxford handbook of Roman imagery and iconography
by Cline, Lea, Elkins, Nathan T.
fromOxford Handbooks
0
Type: Book
"Roman imagery and iconography are typically studied under the more general umbrella of Roman art and in broader, medium-specific studies. This handbook focuses primarily on visual imagery in the Roman world, examined by context and period, and the evolving scholarly traditions …
"Roman imagery and iconography are typically studied under the more general umbrella of Roman art and in broader, medium-specific studies. This handbook focuses primarily on visual imagery in the Roman world, examined by context and period, and the evolving scholarly traditions …
The Oxford handbook of Roman imagery and iconography
0
Type: Book
"Roman imagery and iconography are typically studied under the more general umbrella of Roman art and in broader, medium-specific studies. This handbook focuses primarily on visual imagery in the Roman world, examined by context and period, and the evolving scholarly traditions …
"Roman imagery and iconography are typically studied under the more general umbrella of Roman art and in broader, medium-specific studies. This handbook focuses primarily on visual imagery in the Roman world, examined by context and period, and the evolving scholarly traditions …
Grappling with definitions -- Repairing fractured perspectives -- The Greek trophy: written sources -- Visual evidence & the history of the Greek trophy -- The Roman adoption & adaptation of the Greek trophy -- The trophy tableau -- The landscape trophy
"In The Greek and Roman Trophy: From Battlefield Marker to Icon of Power, Kinnee presents the first monographic treatment of ancient trophies in sixty years. The study spans Archaic Greece through the Augustan Principate. Kinnee aims to create a holistic view of this complex mon…
Art and the Roman viewer
by Elsner, Jaś
fromCambridge studies in new art history and criticism
0
Type: Book
Art and the Roman Viewer presents a fresh analysis of a major intellectual problem in the history of art: why did the arts of Late Antiquity move away from classical naturalism towards spiritual abstractionism?
