This work develops a new theoretical concept for the understanding of the Roman art of images. It establishes a connection between artistic forms and content and expressions of ideology, such as the glorification of state and ruler, war and triumph.
"This book develops a new theory for the understanding of Roman pictorial art. By treating Roman art as a semantic system it establishes a connection between artistic forms and the ideological messages contained within."--Jacket.
This book develops a new theory for the understanding of Roman pictorial art. By treating Roman art as a semantic system it establishes a connection between artistic forms and the ideological messages contained within. The history of Roman art traditionally followed the model of…
This work develops a new theoretical concept for the understanding of the Roman art of images. It establishes a connection between artistic forms and content and expressions of ideology, such as the glorification of state and ruler, war and triumph.
Landscape has been a key theme in world archaeology and trans-cultural art history over the last half century, particularly in the study of painting in art history and in all questions of human intervention and the placement of monuments in the natural world within archaeology. …
Art and the Roman viewer
by Elsner, Jaś
fromCambridge studies in new art history and criticism
Art and the Roman Viewer presents a fresh analysis of a major intellectual problem in the history of art: why did the arts of Late Antiquity move away from classical naturalism towards spiritual abstractionism?