The great experiment: the Moscow Museum of Painterly Culture, 1918-1928 -- The center of artistic life: the Peoples' School of Art in Vitebsk, 1919-1923 -- The last citadel: the Petrograd Museum of Artistic Culture GINKhUK, 1919-1926 -- Epilogue.
Making Modernism Soviet provides a new understanding of the ideological engagement of Russian modern artists such as Kazimir Malevich, Alexander Rodchenko, and Vera Ermolaeva with the political and social agenda of the Bolsheviks in the chaotic years immediately following the Ru…
This book provides an understanding of the ideological engagement of Russian modern artists such as Kazimir Malevich, Alexander Rodchenko, and Vera Ermolaeva with the political and social agenda of the Bolsheviks in the chaotic years immediately following the Russian Revolution.…
"From the ruins of Soviet communism, Boris Groys emerges to provoke our interest in the aesthetic goals of its founders. Like modernists elsewhere, the totalitarian artists and theorists of the USSR longed for an art that could transform the world it once sought only to depict. …
As communism collapses into ruins, Boris Groys provokes our interest in the aesthetic goals pursued with such catastrophic consequences by its founders. Interpreting totalitarian art and literature in the context of cultural history, this brilliant essay likens totalitarian aims…
As communism collapses into ruins, Boris Groys provokes our interest in the aesthetic goals pursued with such catastrophic consequences by its founders. Interpreting totalitarian art and literature in the context of cultural history, this brilliant essay likens totalitarian aims…
