Film, art, new media: museum without walls?
"An anthology of essays exploring the relationship between film and art, within and across the domains of theory and practice, from the late nineteenth century to the present."--Publisher's website.
Film, art, new media: museum without walls?
In the footsteps of Andre Bazin, this anthology of 15 original essays argues that the photographic origin of twentieth-century cinema is anti-anthropocentric. Well aware that the twentieth century stands out as the only period in history with its own photographic film record for…
"An anthology of essays exploring the relationship between film and art, within and across the domains of theory and practice, from the late nineteenth century to the present."--Publisher's website.
"This classic sociological examination of art as collective action explores the cooperative network of suppliers, performers, dealers, critics, and consumers who--along with the artist--"produce" a work of art. Howard S. Becker looks at the conventions essential to this operatio…
"A classic sociological examination of art as collective action, Art Worlds explores the cooperative network of suppliers, performers, dealers, critics, and consumers that - along with the artist - "produces" a work of art. This twenty-fifth anniversary edition is updated with a…
"A classic sociological examination of art as collective action, Art Worlds explores the cooperative network of suppliers, performers, dealers, critics, and consumers that - along with the artist - "produces" a work of art. This twenty-fifth anniversary edition is updated with a…
"A classic sociological examination of art as collective action, Art Worlds explores the cooperative network of suppliers, performers, dealers, critics, and consumers that - along with the artist - "produces" a work of art. This twenty-fifth anniversary edition is updated with a…
"A classic sociological examination of art as collective action, Art Worlds explores the cooperative network of suppliers, performers, dealers, critics, and consumers that - along with the artist - "produces" a work of art. This twenty-fifth anniversary edition is updated with a…
This text asks what is the quality of participation in contemporary art and performance? Has it been damaged by cultural policies which have 'entrepreneurialised' artists, cut arts funding and cultivated corporate philanthropy? Has it been fortified by crowdfunding, pop-ups and …