Arts -- Publics

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Browse all works related to Arts -- Publics.

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The foremost philosopher of art argues for a new politics of looking. The theorists of art and film commonly depict the modern audience as aesthetically and politically passive. In response, both artists and thinkers have sought to transform the spectator into an active agent an…

The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. This title takes a radically different approach to this emancipation. Beginning by asking what we mean by political art or the politics of art, it looks at what the tradition of …

In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically…

The foremost philosopher of art argues for a new politics of looking. The theorists of art and film commonly depict the modern audience as aesthetically and politically passive. In response, both artists and thinkers have sought to transform the spectator into an active agent an…

In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically…

In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically…

"Drawing on contributions from practising artists, writers, curators and academics, Searching for art's new publics explores the ways in which artists seek to involve, create and engage with new and diverse audiences, remarking on the fine line between the experience of being in…