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Thesis based on the submission of orchestral compositions relating the music pieces to visual works. The compositions are also discussed in terms of where they fit within a contemporary, orchestral context.
Rearranging past moments to reveal a nearly concealed shared heart, the work finds people who quickly pass through the gaze of the camera and translates the moment into a pigment referred to here as pastel’d dirt to draw out evidence of an awareness of ourselves in another. As a…