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"Where does a password end and an identity begin? A person might be more than his chosen ten-character combination, but does a bank know that? Or an email provider? What's an 'identity theft' in the digital age if not the unauthorized use of a password? In untangling the histori…
"Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Where does a password end and an identity begin? A person might be more than his chosen ten-character combination, but does a bank know that? Or an email provider? What's …
"Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Where does a password end and an identity begin? A person might be more than his chosen ten-character combination, but does a bank know that? Or an email provider? What's …
"Where does a password end and an identity begin? A person might be more than his chosen ten-character combination, but does a bank know that? Or an email provider? What's an 'identity theft' in the digital age if not the unauthorized use of a password? In untangling the histori…
"Where does a password end and an identity begin? A person might be more than his chosen ten-character combination, but does a bank know that? Or an email provider? What's an 'identity theft' in the digital age if not the unauthorized use of a password? In untangling the histori…
There has been roughly 15 years of research into approaches for aligning research in Human Computer Interaction with computer Security, more colloquially known as "usable security." Although usability and security were once thought to be inherently antagonistic, today there is w…
"In 2010 the Museum of Contemporary Art Denver director Adam Lerner did something unheard of in the museum world: he mounted a large exhibition of paintings without first knowing whether they were real or fakes. Painted in the Suprematist and Constructivist style of early twenti…
"In 2010 the Museum of Contemporary Art Denver director Adam Lerner did something unheard of in the museum world: he mounted a large exhibition of paintings without first knowing whether they were real or fakes. Painted in the Suprematist and Constructivist style of early twenti…
"In 2010 the Museum of Contemporary Art Denver director Adam Lerner did something unheard of in the museum world: he mounted a large exhibition of paintings without first knowing whether they were real or fakes. Painted in the Suprematist and Constructivist style of early twenti…
In 2010 the Museum of Contemporary Art Denver director Adam Lerner did something unheard of in the museum world: he mounted a large exhibition of paintings without first knowing whether they were real or fakes. Painted in the Suprematist and Constructivist style of early twentie…
"In 2010 the Museum of Contemporary Art Denver director Adam Lerner did something unheard of in the museum world: he mounted a large exhibition of paintings without first knowing whether they were real or fakes. Painted in the Suprematist and Constructivist style of early twenti…
"In 2010 the Museum of Contemporary Art Denver director Adam Lerner did something unheard of in the museum world: he mounted a large exhibition of paintings without first knowing whether they were real or fakes. Painted in the Suprematist and Constructivist style of early twenti…
"In 2010 the Museum of Contemporary Art Denver director Adam Lerner did something unheard of in the museum world: he mounted a large exhibition of paintings without first knowing whether they were real or fakes. Painted in the Suprematist and Constructivist style of early twenti…
