'Shame and Desire' defines the contemporary cinematic experience in terms that go beyond the visual. Adopting an intersubjective perspective on film studies, the author maintains that the dialectical poles of subject and object, seeing and being seen no longer seem to be valid.
by Derrida, Jacques, Stiegler, Bernard
fromDébats
This book seeks to reconfigure the ways in which adaptation is conceptualised by considering adaptation within an extended range of generic, critical and theoretical contexts. The collection of essays explores literary, film, television and other visual texts both as 'origins' a…
Adaptation in Contemporary Culture: Textual Infidelities seeks to reconfigure the ways in which adaptation is conceptualised by considering adaptation within an extended range of generic, critical and theoretical contexts. This collection explores literary, film, television and …
"Robins assesses the nature of our emotional and imaginary investment in the visual media, from photography to virtual reality. He looks at how modern image technologies allow us to monitor and survey the 'real' world while maintaining a distance that somehow denies its reality,…
Into the Image examines visual technology sociologically and, in so doing, rejects the fashionable idea that the new visual technologies are displacing the real.
