The notion of allusion as narrative premise in Brahms's instrumental music -- Lovelorn lamentation, or histrionic historicism?: re-examining allusion and extramusical -- Meaning in the B-major piano trio, op. 8 -- Musical memory and the D-major serenade, op. 11 -- An historical …
Who inspired Johannes Brahms in his art of writing music' In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions along…
Though scholars, performers, and classical enthusiasts alike recognized and praised the many facets of his compositional craft, Johannes Brahms's treatment of poetry in his Lieder has led to much conflicting assessments. The negative critiques exist partially because the majorit…
Brahms's cantata Rinaldo, Op. 50 is the most significant example of his dramatic music. Yet Rinaldo historically has been viewed only in the shadow of Ein deutsches Requiem, Op. 45, published a few months earlier; often it is completely disregarded in favour of more "popular" vo…
The intention of this treatise is to trace the original source for Johannes Brahms' (1833–1897) lieder from the poetry of the fourteenth century poet Mohammad Shams od-Din Hafez (ca. 1320–ca. 1390) through the free renderings of Georg Friedrich Daumer (1800–1875), and to provide…
Great masters: brahms ; his life and music
by Teaching Company, Greenberg, Robert
fromGreat courses
Johannes Brahms was a man of contrasts. His serious Teutonic music was balanced by joyful dance music. His miserliness with himself by exceeding generosity with family and associates. His kindness to working people with a biting, malicious wit reserved for those he encountered i…
Dr. Greenberg examines eighteenth and nineteenth century music through the examples of works by Mozart, Beethoven, Antonin Dvorak, Richard Strauss, Brahms, Felix Mendelssohn, and Franz Liszt.
Concert masterworks
by Teaching Company, Greenberg, Robert, Beethoven, Ludwig van, Brahms, Johannes
Dr. Greenberg examines eighteenth and nineteenth century music through the examples of works by Mozart, Beethoven, Antonín Dvorák, Richard Strauss, Brahms, Felix Mendelssohn, and Franz Liszt.
Dr. Greenberg examines eighteenth and nineteenth century music through the examples of works by Mozart, Beethoven, Antonín Dvorák, Richard Strauss, Brahms, Felix Mendelssohn, and Franz Liszt.
Dr. Greenberg examines eighteenth and nineteenth century music through the examples of works by Mozart, Beethoven, Antonin Dvorak, Richard Strauss, Brahms, Felix Mendelssohn, and Franz Liszt.
Dr. Greenberg examines eighteenth and nineteenth century music through the examples of works by Mozart, Beethoven, Antonin Dvorak, Richard Strauss, Brahms, Felix Mendelssohn, and Franz Liszt.
