Rey Chow is arguably one of the most prominent intellectuals working in the humanities today. Characteristically confronting both entrenched and emergent issues in the interlocking fields of literature, film and visual studies, sexuality and gender, postcolonialism, ethnicity, a…
Two of the most stylized shots in cinema-the close-up and the long shot-embody distinct attractions. The iconicity of the close-up magnifies the affective power of faces and elevates film to the discourse of art. The depth of the long shot, in contrast, indexes the facts of life…
The Close-up of Mo Yan and Zhang Yimou: Face and Text in Red Sorghum -- The Art of the Close-up in Lust, Caution: Ang Lee and Eileen Chang -- Philosophy of the Long Shot in Hou Hsiao-hsien's The Assassin -- The Back Shot in Jia Zhangke's I Wish I Knew -- Between Close-ups and Lo…
"Two of the most stylized shots in cinema-the close-up and the long shot-embody distinct attractions. The iconicity of the close-up magnifies the affective power of faces and elevates film to the discourse of art. The depth of the long shot, in contrast, indexes the facts of lif…
"Two of the most stylized shots in cinema-the close-up and the long shot-embody distinct attractions. The iconicity of the close-up magnifies the affective power of faces and elevates film to the discourse of art. The depth of the long shot, in contrast, indexes the facts of lif…
"Two of the most stylized shots in cinema-the close-up and the long shot-embody distinct attractions. The iconicity of the close-up magnifies the affective power of faces and elevates film to the discourse of art. The depth of the long shot, in contrast, indexes the facts of lif…
"Offering both a platform for cross-disciplinary dialogue and a mapping of Chinese cinema as an expanded field, this Handbook presents thirty-three essays by leading researchers and scholars intent on yielding new insights and new analyses using three different methodologies. Ch…
What does it mean for a cinematic work to be 'Chinese'? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like 'C…
The Oxford handbook of Chinese cinemas
by Rojas, Carlos, Chow, Eileen Cheng-yin
fromOxford Handbooks
The Oxford handbook of Chinese cinemas
by Rojas, Carlos, Chow, Eileen Cheng-yin
fromOxford Handbooks
What does it mean for a cinematic work to be 'Chinese'? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like 'C…
The Oxford handbook of Chinese cinemas
by Rojas, Carlos, Chow, Eileen Cheng-yin
fromOxford Handbooks
La 4e de couverture indique : "What does it mean for a cinematic work to be "Chinese"? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single a…