Cinéma -- Histoire. -- Taiwan

New Chinese cinemas: forms, identities, politics

0 Type: Book

New Chinese Cinemas analyses the changing forms and significance of filmmaking in the People's Republic of China, Taiwan, and Hong Kong since the end of the Cultural Revolution, with a particular emphasis on how film comments on the profound social changes that have occurred in …

New Chinese cinemas: forms, identities, politics

by Browne, Nick

0 Type: Book

New Chinese Cinemas analyzes the changing forms and significance of filmmaking in the People's Republic, Taiwan, and Hong Kong, emphasizing the way film commented on the profound social changes that occurred in East Asia in the 1980s. These original essays offer extended analyse…

Tsai Ming-liang and a cinema of slowness

by Lim, Song Hwee

0 Type: Book

How can we qualify slowness in cinema? What is the relationship between a cinema of slowness and a wider socio-cultural 'slow movement'? Providing a critical investigation into questions of temporality, materiality, and aesthetics, and examining concepts of authorship, cinephili…

Tsai Ming-liang and a cinema of slowness

by Lim, Song Hwee

0 Type: Book

How can we qualify slowness in cinema? What is the relationship between a cinema of slowness and a wider socio-cultural slow movement? A body of films that shares a propensity toward slowness has emerged in many parts of the world over the past two decades. This is the first boo…

Tsai Ming-liang and a cinema of slowness

by Lim, Song Hwee

0 Type: Book

How can we qualify slowness in cinema? What is the relationship between a cinema of slowness and a wider socio-cultural slow movement? A body of films that shares a propensity toward slowness has emerged in many parts of the world over the past two decades. This is the first boo…

New Taiwanese cinema in focus: moving within and beyond the frame

by Wilson, Flannery

fromTraditions in world cinema

0 Type: Book

This book places Taiwanese cinema from the 1980s onwards in both national and transnational contexts. In the Taiwanese film industry, the dichotomy between arthouse and commercially viable films is heavily emphasized by both scholars and the local media. Ostensibly, this dichoto…

Island on the edge: Taiwan new cinema and after

by Berry, Chris, Lu, Feiyi

0 Type: Book

This English-language anthology on Taiwan new cinema and its legacy covers all the major filmmakers from Hou Hsiao Hsien and Edward Yang to Ang Lee, bringing together a range of essays that analyze individual films produced since the advent of Taiwan new cinema in the early 1980…

Island on the edge: Taiwan new cinema and after

by Berry, Chris

0 Type: Book

This English-language anthology on Taiwan new cinema and its legacy covers all the major filmmakers from Hou Hsiao Hsien and Edward Yang to Ang Lee, bringing together a range of essays that analyze individual films produced since the advent of Taiwan new cinema in the early 1980…

Island on the edge: Taiwan new cinema and after

0 Type: Book

This English-language anthology on Taiwan new cinema and its legacy covers all the major filmmakers from Hou Hsiao Hsien and Edward Yang to Ang Lee, bringing together a range of essays that analyze individual films produced since the advent of Taiwan new cinema in the early 1980…