This book explores the growing trend of intermediality in cinematic representations of the Holocaust. It turns to the in-betweens that characterise the cinematic experience to discover how the different elements involved in film and its viewing collaborate to produce Holocaust m…
In the wake of World War II, the arts and culture of Europe became a site where the devastating events of the 20th century were remembered and understood. Exploring one of the most integral elements of the cinematic experience-music-the essays in this volume consider the numerou…
In the wake of World War II, the arts and culture of Europe became a site where the devastating events of the 20th century were remembered and understood. Exploring one of the most integral elements of the cinematic experience--music--the essays in this volume consider the numer…
"In the wake of World War II, the arts and culture of Europe became a site where the devastating events of the 20th century were remembered and understood. Exploring one of the most integral elements of the cinematic experience--music--the essays in this volume consider the nume…
In the wake of World War II, the arts and culture of Europe became a site where the devastating events of the 20th century were remembered and understood. Exploring one of the most integral elements of the cinematic experience--music--the essays in this volume consider the numer…
Reflects on the Europeanization of Holocaust memory, i.e. the formation of a common European memory of the Holocaust, using six films as a case study: the German-French-Polish co-production "Europa, Europa" by Agnieszka Holland; the German films "Aimée and Jaguar" by Max Färberb…
Is a common European Holocaust memory possible? The author approaches this question by analyzing Polish and German cinema after 1989, and the public debates on the past that have surrounded the filmic narratives. Of all media, cinema has exerted the broadest impact in the format…