À partir des développements des théories cognitives de la linguistique et de la psychologie de la perception, l'auteure définit la nature du langage visuel ainsi que les règles d'association qui gouvernent leurs regroupements dans le champs visuel. Elle distingue les éléments st…
Présente une théorie générale de la grammaire du langage visuel. Cette théorie syntaxique assure les fondements de la lecture des images visuelles dans leur dimension iconique autant que non figurative.
À partir des développements des théories cognitives de la linguistique et de la psychologie de la perception, l'auteure définit la nature du langage visuel ainsi que les règles d'association qui gouvernent leurs regroupements dans le champs visuel. Elle distingue les éléments st…
"The needle arts are traditionally associated with the decorative, domestic, and feminine. Stitching the Self sets out to expand this narrow view, demonstrating how needlework has emerged as an art form through which both objects and identities - social, political, and often non…
Semantics of aesthetic judgements
Are aesthetic judgements simply expressions of personal preference or do they have some non-subjective basis? In recent years, philosophers of language have assumed that aesthetic judgements are similar to judgements that employ predicates of personal taste such as 'tasty' and '…
Semantics of aesthetic judgements
Are aesthetic judgements simply expressions of personal preference? If two people disagree about the beauty of a painting are both judgements valid or can someone be mistaken about the aesthetic value of an artwork? This volume brings together some of the leading philosophers of…
The 19 papers of this collection were first presented at the 1999 History and Images Congress held at the U. of Copenhagen in Denmark. As reflected in the subtitle, the international group of historians and art historians provide essays that reflect new approaches to the reading…
Preliminary Material -- Bilder lügen -- Wahrheiten im Bild -- Drei maßgebliche bildtheoretische Ansätze -- Das Pikturale: Artefakte, Farbgebilde, Bilddinge -- Bildermachen -- Bildersehen: Opsis, Imagination, Intuition -- Bildraum -- Die Zeitlichkeit des Bildes: augenblickliche E…
"Most accounts of Modernism take the view that the movement's characteristic shifts--abstraction in painting, atonality in music, free verse in poetry--are cultural. This book puts a different account on the table. It argues that Modernism is fundamentally a cognitive shift, one…
"Most accounts of Modernism take the view that the movement's characteristic shifts--abstraction in painting, atonality in music, free verse in poetry--are cultural. This book puts a different account on the table. It argues that Modernism is fundamentally a cognitive shift, one…
"Most accounts of Modernism take the view that the movement's characteristic shifts--abstraction in painting, atonality in music, free verse in poetry--are cultural. This book puts a different account on the table. It argues that Modernism is fundamentally a cognitive shift, one…
"Most accounts of Modernism take the view that the movement's characteristic shifts--abstraction in painting, atonality in music, free verse in poetry--are cultural. This book puts a different account on the table. It argues that Modernism is fundamentally a cognitive shift, one…