Ideal for students looking for a radical approach to film studies.
The politics of the Soviet cinema, 1917-1929
The politics of the Soviet cinema 1917-1929
The politics of the Soviet cinema, 1917-1929
Much has been written about Soviet literature and its political significance in the years following the October Revolution, but little has been written about the cinema in the same context. And yet in 1922 Lenin said, 'Of all the arts, for us the cinema is the most important.' W…
The politics of the soviet cinema 1917-1929
Much has been written about Soviet literature and its political significance in the years following the October Revolution, but little has been written about the cinema in the same context. And yet in 1922 Lenin said, 'Of all the arts, for us the cinema is the most important.' W…
The Politics of the Soviet Cinema 1917-1929
The politics of the Soviet cinema, 1917-1929
"This book provides a long-awaited account of how Marxism has shaped both the medium of film and the study of film. It covers key concepts that anyone studying film needs to engage with, as well as key theorists (both within and beyond film studies) and provides an historical pe…
"This book provides a long-awaited account of how Marxism has shaped both the medium of film and the study of film. It covers key concepts that anyone studying film needs to engage with, as well as key theorists (both within and beyond film studies) and provides an historical pe…
"This book provides a long-awaited account of how Marxism has shaped both the medium of film and the study of film. It covers key concepts that anyone studying film needs to engage with, as well as key theorists (both within and beyond film studies) and provides an historical pe…
In Theses on Feuerbach, Marx writes "The philosophers have only interpreted the world differently; the point is to change it." This collection examines how filmmakers have tried to change the world by engaging in emancipatory politics in their work, and how audiences have receiv…
In Theses on Feuerbach, Marx writes, "The philosophers have only interpreted the world differently; the point is to change it." This collection examines how filmmakers have tried to change the world by engaging in emancipatory politics through their work, and how audiences have …