Stretching lengths of yarn across interior spaces, American artist Fred Sandback (1943-2003) created expansive works that underscore the physical presence of the viewer. This book, the first major study of Sandback, explores the full range of his art, which not only disrupts tra…
Stretching lengths of yarn across interior spaces, American artist Fred Sandback (1943-2003) created expansive works that underscore the physical presence of the viewer. This book, the first major study of Sandback, explores the full range of his art, which not only disrupts tra…
This dissertation studies the work of artist Margarita Paksa (1933-2020) during Argentina’s military dictatorship. Unlike other Argentinian artists who left the country and enjoyed commercial success or security in the postwar art world, Paksa never left Buenos Aires. While livi…
This study explores the motifs of place, landscape, earth (territory), and nationality in Israeli art from the 1920s to the 1970s, when the approach to these topics underwent a paradigm crisis with the emergence of Environmental and Earth Art. These motifs are reexamined in the …
The present investigation frames the conceptual art that includes the body as an artistic support in the intervention of nature: body-nature-work, within the cultural context of the Spain of the decade of years 70. Concretely through the performances and of the interventions as …
If you attend a contemporary art exhibition today, you're unlikely to see much traditional painting or sculpture. Indeed, artists today are preoccupied with what happens when you leave behind assumptions about particular media - such as painting, or woodcuts - and instead focus …
"Garrett Stewart in Transmedium dubs this new approach Conceptualism 2.0, an allusion in part to the computer images that are so often addressed by these works. A successor to 1960s Conceptualism, which posited that a material medium was unnecessary to the making of art, Concept…
This book follows recent artists in a vein of second-wave of Conceptual art practice dubbed Conceptualism 2.0--in works shadowed by the digital if not directly employing it: works that negotiate a sensory space between medium specificity, in the high modernist mode, and recent c…
"Garrett Stewart in Transmedium dubs this new approach Conceptualism 2.0, an allusion in part to the computer images that are so often addressed by these works. A successor to 1960s Conceptualism, which posited that a material medium was unnecessary to the making of art, Concept…
Presents a short history of artworks at risk of passing unnoticed because they look like trash, or are little more than commonplace objects and fleeting gestures that disappear into the fabric of everyday life.
