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In this study, John Irving brings together the various strands of scholarship surrounding Mozart's concertos, including analytical approaches, aspects of performance practice, and issues of compositional genesis based on investigation of manuscript and early printed editions.
"Mozart's piano concertos stand alongside his operas and symphonies as his most frequently performed and best loved music. They have attracted the attention of generations of musicologists who have explored their manifold meanings from a variety of viewpoints. In this study, Joh…