This book tells the history of Latin America's cultural Cold War through an interwoven analysis of three organizations that targeted influential artists, scholars, and writers: the CIA-backed Congress for Cultural Freedom, the Soviet-aligned World Peace Council, and Cuba's Casa …
"This book tells the history of Latin America's cultural Cold War through an interwoven analysis of three organizations that targeted influential artists, scholars, and writers: the CIA-backed Congress for Cultural Freedom, the Soviet-aligned World Peace Council, and Cuba's Casa…
"This book tells the history of Latin America's cultural Cold War through an interwoven analysis of three organizations that targeted influential artists, scholars, and writers: the CIA-backed Congress for Cultural Freedom, the Soviet-aligned World Peace Council, and Cuba's Casa…
"This book tells the history of Latin America's cultural Cold War through an interwoven analysis of three organizations that targeted influential artists, scholars, and writers: the CIA-backed Congress for Cultural Freedom, the Soviet-aligned World Peace Council, and Cuba's Casa…
"This book tells the history of Latin America's cultural Cold War through an interwoven analysis of three organizations that targeted influential artists, scholars, and writers: the CIA-backed Congress for Cultural Freedom, the Soviet-aligned World Peace Council, and Cuba's Casa…
In 1950, the Congress for Cultural Freedom was formed. This was a group of over 100 European and American writers and liberal intellectuals, formed to counter the rise of Stalin. This fascinating book reveals the flaws of this Congress, which was secretly funded by the CIA. Illu…
The Congress for Cultural Freedom was America's principal attempt during the Cold War to win over the world's intellectuals to the liberal democratic cause. Established in Berlin by 100 refugees from Hitler and Stalin, it spread throughout the world, establishing magazines, publ…
This thesis examines composer Nicolas Nabokov’s political involvement in the world of music in the 1940s and 1950s. In particular it concerns his attempt to use contemporary art music as a means of countering the influence of the Soviet Union, via the festivals he organised for …