Gevarieerd beeld van de jaren 1923-1925 binnen de ideologische geïnspireerde kunststroming van het Constructivisme in de Sovjet-Unie.
"In Imagine No Possessions, Christina Kiaer investigates the Russian Constructivist conceptions of objects as being more than commodities. "Our things in our hands must be equals, comrades," wrote Aleksandr Rodchenko in 1925. Kiaer analyzes this Constructivist counterproposal to…
"In Imagine No Possessions, Christina Kiaer investigates the Russian Constructivist conceptions of objects as being more than commodities. "Our things in our hands must be equals, comrades," wrote Aleksandr Rodchenko in 1925. Kiaer analyzes this Constructivist counterproposal to…
One of the most exciting movements in 20th century art, Russian constructivism radically reassessed the role of the artist and his work. Here, Lodder provides a detailed account of this complex movement and the reverberations it had on Western culture. - from Amazon.
One of the most exciting movements in 20th century art, Russian constructivism radically reassessed the role of the artist and his work. Here, Lodder provides a detailed account of this complex movement and the reverberations it had on Western culture.
One of the most exciting movements in 20th century art, Russian Constructivism radically reassessed the role of the artist & his work. Here, Lodder provides a detailed account of this complex movement and the reverberations it had on Western culture.
This book offers the first sustained examination of the cultural relations of the American and Soviet avant-gardes in a period of major transformation. From the formation of the USSR in 1922 until its recognition by the American government, American avant-garde artists, writers …
Herschel B. Chipp's 'Theories of Modern Art: A Source Book By Artists and Critics' is a collection of texts from letters, manifestos, notes and interviews. Sources include, as the title says, artists and critics - some expected, like van Gogh, Gauguin, Apollinaire, Mondrian, Gre…
Herschel B. Chipp's 'Theories of Modern Art: A Source Book By Artists and Critics' is a collection of texts from letters, manifestos, notes and interviews. Sources include, as the title says, artists and critics - some expected, like van Gogh, Gauguin, Apollinaire, Mondrian, Gre…
Now nearly a century since it was first published in 1926, Boris Arvatov's 'Art and Production' remains a classic text of the early Soviet avant-garde. This is the first English edition of this influential work - a crucial intervention for those seeking to understand the social …