"For Albright, dancing is a physical inquiry, a way of experiencing and participating in the world, and her writing reflects an interdisciplinary approach to seeing and thinking about dance. In her angagement both as a dancer and a scholar, Albright draws on her kinesthetic sens…
"For Albright, dancing is a physical inquiry, a way of experiencing and participating in the world, and her writing reflects an interdisciplinary approach to seeing and thinking about dance. In her angagement both as a dancer and a scholar, Albright draws on her kinesthetic sens…
For the author, dancing is a physical inquiry, a way of experiencing and participating in the world, and her writing reflects an interdisciplinary approach to seeing and thinking about dance. In her engagement both as a dancer and a scholar, the author draws on her kinesthetic s…
Writing in motion: body--language--technology
by ebrary, Inc, King, Kenneth, Jowitt, Deborah
Kenneth King is one of America's most inventive postmodern choreographers. His dancing has always reflected his interest in language and technology, combining movement with film, machines, lighting and words both spoken and written. King is also conversant in philosophy, and som…
"Kenneth King is one of America's most inventive postmodern choreographers. His dancing has always reflected his interest in language and technology, combining movement with film, machines, lighting and words both spoken and written. King is also conversant in philosophy, and so…
A treasure trove of writings by America's only dancing philosopher.
A treasure trove of writings by America's only dancing philosopher.
This book explores that framework and provides an interpretive analysis of the biographical, professional and historical elements that contributed to the context of Croce's work. Topics include Croce's predecessors in artistic critique, relevant twentieth-century contemporaries …
"This book explores that framework and provides an interpretive analysis of the biographical, professional and historical elements that contributed to the context of Croce's work. Topics include Croce's predecessors in artistic critique, relevant twentieth-century contemporaries…
Prominent dance critic Arlene Croce wrote for The New Yorker during the 1970s, ''80s and ''90s. Through more than 200 critiques in that magazine, she confirmed a classical aesthetic framework for dance, influencing the work of numerous contemporary critics as well as the tastes …