"African dance has a long history in the United States: Asadata Dafora, a Sierra Leonean, had a successful run on Broadway with "Kykunkor" in 1934, and he was one of many artists who, in the 1920s to 1940s, concertized and stylized what we have come to know as African dance. Man…
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The popularity and profile of African dance have exploded across the African diaspora in the last fifty years. Hot Feet and Social Change presents traditionalists, neo-traditionalists, and contemporary artists, teachers, and scholars telling some of the thousands of stories live…
"African dance has a long history in the United States: Asadata Dafora, a Sierra Leonean, had a successful run on Broadway with "Kykunkor" in 1934, and he was one of many artists who, in the 1920s to 1940s, concertized and stylized what we have come to know as African dance. Man…
"African dance has a long history in the United States: Asadata Dafora, a Sierra Leonean, had a successful run on Broadway with "Kykunkor" in 1934, and he was one of many artists who, in the 1920s to 1940s, concertized and stylized what we have come to know as African dance. Man…
"African dance has a long history in the United States: Asadata Dafora, a Sierra Leonean, had a successful run on Broadway with "Kykunkor" in 1934, and he was one of many artists who, in the 1920s to 1940s, concertized and stylized what we have come to know as African dance. M…
"African dance has a long history in the United States: Asadata Dafora, a Sierra Leonean, had a successful run on Broadway with "Kykunkor" in 1934, and he was one of many artists who, in the 1920s to 1940s, concertized and stylized what we have come to know as African dance. Man…
"Embracing dramatic similarities, glaring disjunctions, and striking innovations, this book explores the history and context of dance on the land we know today as the United States of America. Designed for weekly use on dance history courses, it traces dance in the USA as it bro…
"Embracing dramatic similarities, glaring disjunctions, and striking innovations, this book explores the history and context of dance on the land we know today as the United States of America. Designed for weekly use on dance history courses, it traces dance in the USA as it bro…
"Embracing dramatic similarities, glaring disjunctions, and striking innovations, this book explores the history and context of dance on the land we know today as the United States of America. Designed for weekly use on dance history courses, it traces dance in the USA as it bro…
This text is a social history, theorizing participatory dance in New World public spaces as a tool that has enabled subaltern communities' political resistance to hegemonic control. Drawing upon musicology, ethnomusicology, iconography, anthropology, dance studies, and folklore,…
"Smith's project reconfigures the understanding of public space as a site for symbolic contestation of social and political control by investigating historical moments of participatory vernacular dance. Smith focuses extensively on public venues, such as the street, dance hall, …
"Smith's project reconfigures the understanding of public space as a site for symbolic contestation of social and political control by investigating historical moments of participatory vernacular dance. Smith focuses extensively on public venues, such as the street, dance hall, …
Introduction : "Callin' out, around the world..." -- Sacred bodies in the great awakenings -- A tale of two cities I : akimbo bodies and the English Caribbean -- Spaces, whistles, tags, and drums : irruptive noise -- A tale of two cities II : festival and spectacle in the French…
"Smith's project reconfigures the understanding of public space as a site for symbolic contestation of social and political control by investigating historical moments of participatory vernacular dance. Smith focuses extensively on public venues, such as the street, dance hall, …
Introduction : "Callin' out, around the world..." -- Sacred bodies in the great awakenings -- A tale of two cities I : akimbo bodies and the English Caribbean -- Spaces, whistles, tags, and drums : irruptive noise -- A tale of two cities II : festival and spectacle in the French…
"Smith's project reconfigures the understanding of public space as a site for symbolic contestation of social and political control by investigating historical moments of participatory vernacular dance. Smith focuses extensively on public venues, such as the street, dance hall, …
