"When The Phenomenology of Dance was first published in 1966, Maxine Sheets-Johnstone asked: "When we look at a dance, what do we see?" Her questions, about the nature of our experience of dance and the nature of dance as a formed and performed art, are still provocative and acu…
"When The Phenomenology of Dance was first published in 1966, Maxine Sheets-Johnstone asked: "When we look at a dance, what do we see?" Her questions, about the nature of our experience of dance and the nature of dance as a formed and performed art, are still provocative and acu…
"When The Phenomenology of Dance was first published in 1966, Maxine Sheets-Johnstone asked: "When we look at a dance, what do we see?" Her questions, about the nature of our experience of dance and the nature of dance as a formed and performed art, are still provocative and acu…
"When The Phenomenology of Dance was first published in 1966, Maxine Sheets-Johnstone asked: "When we look at a dance, what do we see?" Her questions, about the nature of our experience of dance and the nature of dance as a formed and performed art, are still provocative and acu…
"When The Phenomenology of Dance was first published in 1966, Maxine Sheets-Johnstone asked: "When we look at a dance, what do we see?" Her questions, about the nature of our experience of dance and the nature of dance as a formed and performed art, are still provocative and acu…
"In this book, Shay Welch expands on the contemporary cognitive thinking-in-movement framework, which has its roots in the world of Maxine Sheets-Johnstone but extends and develops within contemporary embodied cognition theory. Welch believes that dance can be used to ask questi…
In this book, Shay Welch expands on the contemporary cognitive thinking-in-movement framework, which has its roots in the work of Maxine Sheets-Johnstone but extends and develops within contemporary embodied cognition theory. Welch believes that dance can be used to ask question…
Movements of Interweaving is a rich collection of essays exploring the concept of interweaving performance cultures in the realms of movement, dance, and corporeality. Focusing on dance performances as well as on scenarios of cultural movements on a global scale, it not only cha…
Considerada una de las más grandes figuras de la danza moderna por su facultad de comunicar sensaciones en el campo de la experiencia no intelectual, Mary Wigman escribe un libro de imágenes, de experiencias, un ensayo coreográfico en el que expone su necesidad de mover el espac…
This title explores site-specific dance practice through a combination of analytical essays and practitioner accounts of their working processes. In offering this joint effort of theory and practice, the book provides dance academics, students, and practitioners with a series of…
Combining critical analysis with personal history and poetry, 'Dancing Identity' presents a series of interconnected essays composed over a period of 15 years.
Combining critical analysis with personal history and poetry, 'Dancing Identity' presents a series of interconnected essays composed over a period of 15 years.
