"Proofs of Genius: Collected Editions from the American Revolution to the Digital Age is the first extensive study of the collected edition as an editorial genre within American literary history. Unlike editions of an author's "selected works" or thematic anthologies, which clea…
"Proofs of Genius: Collected Editions from the American Revolution to the Digital Age is the first extensive study of the collected edition as an editorial genre within American literary history. Unlike editions of an author's "selected works" or thematic anthologies, which clea…
"Proofs of Genius: Collected Editions from the American Revolution to the Digital Age is the first extensive study of the collected edition as an editorial genre within American literary history. Unlike editions of an author's "selected works" or thematic anthologies, which clea…
"Proofs of Genius: Collected Editions from the American Revolution to the Digital Age is the first extensive study of the collected edition as an editorial genre within American literary history. Unlike editions of an author's "selected works" or thematic anthologies, which clea…
Combining a cultural history of sound with media and literary studies, 'Acoustic Entanglements' presents a new perspective on the entangled affiliations of transnational mobility, diasporic cultural memory, embodied performance, and the material practices of aesthetic acts. Star…
Acoustic entanglements: sound and aesthetic practice
by Kim, Sabine
fromAmerican studies
Acoustic entanglements: sound and aesthetic practice
by Kim, Sabine
fromAmerican studies
Combining a cultural history of sound with media and literary studies, 'Acoustic Entanglements' presents a new perspective on the entangled affiliations of transnational mobility, diasporic cultural memory, embodied performance, and the material practices of aesthetic acts. Star…
The poetry of Emily Dickinson and Marianne Moore contain many similarities. This thesis explores those similarities through a variety of critical methods, namely feminist criticism and textual criticism, as I focus on the gendered authority of poetry and the poems in their manus…
Since the death of the American poet Emily Dickinson in 1886, numerous critics and biographers have speculated about the reasons for the poet’s long and mysterious withdrawal, citing romantic disappointment, chronic illness, wartime distress, and desire for social distinction as…
In an age of both religious revival and upheaval, Emily Dickinson was not concerned in showing how Christian or un-Christian she was in her poetry, but her affections focused on the rationalization and deconstruction of religious beliefs in the nineteenth century. Previous studi…