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The Easter presents that Russia's last two czars gave to their czarinas have become synonymous with privilege, beauty, and an almost provocative uselessness. They are perhaps the most redolent symbols of the old empire's phenomenal craftsmanship, of the decadence of its court, a…
Analyzes the Russian royal family's distorted relationship with art throughout three centuries, providing coverage of such topics as how the poet Pushkin shared a power struggle with Alexander I and how Dostoevsky transitioned from a monarchy supporter to the tsarist cause.